Etchings
George Constant used the dry point technique in print making, intaglio engraving in which he incised lines in copper plates, with the burr at the side of the furrows retained. Art critic Hi Simons once said “…there is nothing quite like it anywhere else in the world of art”.
A substantial collection of the dry points are owned by several museums including the Metropolitan Museum of Art.
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Stonington, Connecticut
224 mm x 300 mm, Drypoint
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Still Life
1940, 300 mm x 373 mm, Drypoint
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Tiger
1940, 200 mm x 249 mm, Drypoint
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Untitled
mid-1970s, 442 mm x 327 mm, Drypoint
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Untitled
mid-1970s, 324 mm x 442 mm, Drypoint
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Joan Sloan
1931, 324 mm x 220 mm, Drypoint
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William Zorack
1933, 292 mm x 324 mm, Drypoint
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By the Sea
300 mm x 377 mm, Drypoint
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Roll the Hoop
1937, 250 mm x 200 mm, Drypoint
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The City
250 mm x 340 mm, Drypoint
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Unititled
1935-43, 300 × 375 mm