Etchings

George Constant used the dry point technique in print making, intaglio engraving in which he incised lines in copper plates, with the burr at the side of the furrows retained. Art critic Hi Simons once said “…there is nothing quite like it anywhere else in the world of art”.

A substantial collection of the dry points are owned by several museums including the Metropolitan Museum of Art.

  • Stonington, Connecticut

    224 mm x 300 mm, Drypoint

  • Still Life

    1940, 300 mm x 373 mm, Drypoint

  • Tiger

    1940, 200 mm x 249 mm, Drypoint

  • Untitled

    mid-1970s, 442 mm x 327 mm, Drypoint

  • Untitled

    mid-1970s, 324 mm x 442 mm, Drypoint

  • Joan Sloan

    1931, 324 mm x 220 mm, Drypoint

  • William Zorack

    1933, 292 mm x 324 mm, Drypoint

  • By the Sea

    300 mm x 377 mm, Drypoint

  • Roll the Hoop

    1937, 250 mm x 200 mm, Drypoint

  • The City

    250 mm x 340 mm, Drypoint

  • Unititled

    1935-43, 300 × 375 mm